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Nathaniel James Haering

Composer

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Nathaniel James Haering

Composer

Biography:


Nathaniel Haering is a masters student in composition and a “Music Technology Assistant” at Bowling Green State University. His works have most recently been featured at “SEAMUS 2016 Conference" in Statesboro Georgia, “Electronic Music Midwest" in Kansas City,   "Root Signals" electronic music festival in Jacksonville Florida, "SPLICE institute" in Kalamazoo Michigan, “N_SEME” at the University of Oklahoma, “NYCEMF” in New York City, and “TIES” in Toronto Canada.
Nathaniel Has had the opportunity to collaborate with and write for Grammy award winning Vietnamese composer and performer Van-ahn Vannessa Vo, and was employed as her transcriber for a time.  He is the winner of the 2016 “Western Michigan University Large Ensemble Award” and will be premiering a piece with the WMU Choir’s in the spring of 2017. Nathaniel has recently experimented with motion sensors and live choreography to produce real time generated music and visuals and continues to be present in the world of performer and live electronics. He has had reading sessions with Ensemble Dal-Niente, the WMU orchestra, and has collaborated numerous times with the Western Michigan Dance, Video, and Visual Arts departments.  He has recorded a great deal of prestigious artists as a “Recital Recording Technician” at both Western Michigan and BGSU and has extensive experience with live sound reinforcement, having cultivated a number of concerts involving technology in and outside of Universities.  

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Artist's Statement

Nathaniel Haering  is an emerging composer actively engaged in the creation and development of electro-acoustic music and instrumental works with live electronics as well as a myriad of more traditional ensembles. Nathaniel has been working avidly with great success to use the wealth of resources and perspectives available to him to continue to develop an intricate and personal compositional voice. He is deeply excited by new takes on timbrle development and spectromorphology and hopes to articulately place this personal voice at the forefront of what he believes is essential to the advancement of modern music.  Nathaniel’s extensive work in a number of recording studios as well as experience leading live sound reinforcement teams has heavily influenced his compositional perspective and greatly increased the quality of his electro-acoustic works.  So too has his composition background brought an informed and insightful ear to his work in the studio.  Nathaniel believes that electro-acoustic art music and acoustic music heavily influence each other and work towards the same goal of creating and advancing what we acknowledge and love as music. 

 
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